Tuesday, May 1, 2012

Not Out of China: Gunpowder, Paper, Compass, Printing Press

In the Western perspectives of the past, the Oriental mind has often been seen by turns cunning, ruthless and exotic and filled with endless possibilities.  China and the Far East were beyond the more pressing threat of the Near East, nor was it colored with a contested Holy Land and a history of crusades. Proximity, the shared Hellenic cultural heritage and universal Abrahamic faiths made the people of the Near East too familiar rivals to be innocuously exotic.  

We still are more likely to charge the Near East with being archaic, to envision their societies as being some less evolved version of ourselves.  If the Near East is the object of our antipathy, so Near Eastern history and accomplishments are becoming the object of our scholarly hostility, at least in terms of popular ideas. Anything even obliquely related to the Near East has ceased to be an area of neutrality in popular historical study.

Joseph Needham, Sinologist and the original multiculturalist is famous for specious claims about the exotic East.  Needham gave us one of the most charged and assumptive questions in sociology- The Needham Question", or why had isolated China if they had accomplished all that Needham and Sinophiles like him claimed, stagnate as the rest of the world thoroughly surpassed them? China neither possessed the degree of "first mover" advantages claimed by Needham and it was  in contact with the rest of the world more than Needham cared to realize, causing some of his most egregious errors that have made his name a byword for compromised scholarship in the West (though he is easily the most highly regarded Western "historian" in China). 

One could hardly single out Needham in some respects: long before "Berthold Schwarz, or Black Bart", the fictitious friar and inventor of the gun, Europeans had gotten in to the habit of fudging history to increase their own cultural self confidence and to rob others of regard and respect. Today, the pendulum has swung Needham's way, with the excesses of Western multiculturalism and with the economic emergence of China among other nations and cultures who are refashioning their history (often with little restraint in regards to truth or accuracy) to create a sense of their own confidence and to garner respect from other cultures. 

Arising from that has been the neatly packaged, "four great Chinese inventions".  If it sounds like something emanating from the public relations department of the People's Republic of China, that is because it was.  The Four Great Inventions theme was hit upon by the Chinese government in 2005 and was featured as one of the main themes of the opening ceremony of the 2008 Beijing Summer Olympics.  They have the added "benefit" in some cases of discrediting inventions from their Near Eastern origins while gladdening the heart of multiculturalists. The assertions however are simply dead wrong and offer not a single shred of support for upsetting sound history. 

These revisions also do disservice to the civilizations and the study of history. They overshadow and de-contextualizing important achievements; and most importantly by their agenda they obscure that the accomplishments should be esteemed as the accomplishments of mankind.

Not out of China: Gunpowder, Paper, Compass, Printing Press

GUNPOWDER

Greek fire was one of the most effective thermal devices, although it was extremely dangerous for the users A combustible liquid, it could be shot from siphons or catapults, and it burst into flames on impact. First developed by the Byzantines in present day Turkey in the 7th century, it was later used by the Turks during the Crusades, and was probably first used in Western Europe in the 12th century.

Early experiments by the Byzantines in the 6th century used a mixture of sulfur and oil, which would have been terrifying if not destructive. Various versions seem to have existed, and the recipes were frequently kept secret; experts today still debate the exact composition, although some recipes are known.  It  had regional variations.  A popular version known around the Islamic  was "naft" and had a petroleum base, with sulfur and saltpeter. 

Saltpetre was one of the costliest expendables ever required in warfare, so there was ample incentive to use the least amount possible. Mixtures in which pure nitrates are not predominant deflagrate only, and do not explode.

Potassium nitrate was known to Arab chemists,with the earliest description is by Khalid ibn Yazid (635-704), and was later described and used many times, for example by Jabir ibn Hayyan (722-815),  by Al-Razi and others. Saltpeter was called "natrun" but also had other names indicating its ore origins, for example, (Shabb Yamani or "Yemeni alum") and (thalj al-Sīn, or "Chinese snow," as Muslims got the ore from China and Yemen among other places). Muslims went beyond the use of the impractical ore material, and began purifying it. George Sarton states in that Muslims were the first to purify saltpeter.

The earliest Arabic manuscripts with gunpowder recipes are two undated manuscripts, but one of them (the al-Karshuni manuscript) was dated by historians Marcellin Berthelot and Rubens Duval to be from the ninth to the eleventh century, both manuscripts mention saltpeter, charcoal and sulphur as the sole ingredients of gunpowder.
 
Prior to true gunpowder, the fire lance was a bamboo tube several feet long reenforced with tightly wound string. It was loaded with a deflagrating powder and various projectiles, in fact much like a kind of Roman candle. It was lighted from a fuze projecting from the muzzle, whereupon it would discharge its fire, gases, and projectiles to the front at relatively slow velocity. Weapons of this type were used  by the 13th century, among the Arabs, in India, and among the Chinese, Mongols and Tatars around 1250. Roger Bacon already knew about this in 1257, and described it in Epistolae de Secretis Operibus of that date as a device to make noise like thunder and a flash like lightning, giving an anagrammatic recipe for the powder.

The more saltpetre that the mixture contains, the quicker and more fiercely it burns. The Chinese had firecrackers for a very long time, but they contained no gunpowder. They were simply pieces of green bamboo that would crack loudly when thrown into a fire, and thereby scare away evil spirits. The proto-gunpowder of the Chinese, which included wax, resins, oils and roots was not true gunpowder, lacking the necessary explosive effect of the classic 75 percent saltpetre, 15% charcoal and 10% sulfur; the later two ingredients were not used and the first no where close to the necessary levels. The proto-gunpowder, when confined in a strong paper tube the size of a finger joint, would make a terrifying loud bang, and these new firecrackers were very effective against evil spirits. The invention proceeded no further in China, beyond incendiaries, fire lances, and firecrackers. Actual gunpowder and cannon were reintroduced to China by the Portuguese and others, under unfortunate terms of colonization.

The first recording of the formula of true gunpowder, 75 percent saltpetre, 15% charcoal and 10% sulfur was definitely among the Arabs, and clearly set out in formula.  They apparently tinkered with Byzantine and Chinese compounds for "Greek fire" and some etymologists read as "Chinese snow", attesting to the wide knowledge of Byzantine, Turkish, Indian and perhaps Chinese ingredients and inspirations they had in creating explosive chemicals.

Several almost identical compositions were first described by the Arabic engineer Hasan al-Rammah as a recipe for the rockets (tayyar) he described in his al-Furusiyya wa al-Manasib al-Harbiyya (The Book of Military Horsemanship and Ingenious War Devices) in 1270. Several examples include a tayyar "rocket" (75% saltpetre, 8% sulfur, 15% carbon) and the tayyar buruq "lightning rocket" (74% saltpetre, 10% sulfur, 15% carbon). He states in his book that many of these recipes were known to his father and grandfather, hence dating back to at least the late 12th century. Compositions for an explosive gunpowder effect were not known in China or Europe until the 14th century. We can find the first book dedicated for gunpowder and its uses in the works Hasan al-Rammah's Al-furusiyyah wa al-manasib al-harbiyya (The Book of Military Horsemanship and Ingenious War Devices), written in the 1270s, which included the first gunpowder recipes to approach the ideal composition for explosive gunpowder used in modern times (75% saltpetre (KNO3), 10% sulfur, 15% carbon), such as the tayyar "rocket" (75 parts saltpetre, 8 sulfur, and 15 carbon, by weight) and the tayyar buruq "lightning rocket" (74 parts saltpetre, 10 sulfur, 15 carbon). He states in his book that many of these recipes were known to his father and grandfather, hence dating back to at least the late 12th century.

The place and time of the invention of the cannon is unknown.  Because of the explosive power of gunpowder, heavy metal canon was necessary. but its evolution from the fire lance among the Turks, Arabs and Europeans can hardly be doubted.

This article was possible with the research and information of Dr. James B. Calvert, Associate Professor Emeritus of Engineering, University of Denver, Registered Professional Engineer, State of Colorado No.1231


PAPER

Ancient Egyptians used papyrus for printing since. The thick paper-like material produced from the pith of the papyrus plant, Cyperus papyrus, a wetland sedge. Papyrus is first known to have been used in ancient Egypt (at least as far back as the First dynasty), but it was also used throughout the Mediterranean region.  It would eventually decline in usage with the popularity of vellum or cheaply made thin, stretched and split hides which had the benefit of being more supple and thus suitable for scrolls and folding. Papyrus however was used until the popularization of cheap paper was introduced from the Arabs

A form of book was invented in India, of palm leaves. The technology was first transferred to Korea in 604 and then imported to Japan by a Buddhist priests, around 610, where fibres (called bast) from the mulberry tree were used.

The Han Dynasty Chinese court official Cai Lun is widely regarded to have made paper from wood pulp in 105 AD. The paper was thin and translucent, not like modern western paper, and thus only written on one side.  There is no evidence of the recent Chinese legend that this paper making technique was passed by a "Chinese prisoner" in Baghdad though the apocryphal tale is widely repeated.

In America, archaeological evidence indicates that about two millenniums ago paper was invented by the Mayans and spread throughout Central America, Mexico and beyond to parts of North America and South America. Called amatl it was in widespread use among Mesoamerican cultures at the time of the Spanish conquest. The Mayan and Aztec kept these events chronicled in libraries full of books written on amatl. Paper was  a central aspect of Mayan and Aztec life used for records, books of government, ceremonial tributes, clothing, and everyday writingIn small quantities, traditional paper making techniques are still practiced today.

The first paper books and indeed modern paper mills were invented in Baghdad in the 8th century where the Arabs invented a method to make a thicker sheet of paper. The manufacture had spread to Damascus by the time of the First Crusade in the 11th century, but the wars interrupted production, and it split into two book making centres. Cairo continued with the thicker paper. Iran became the centre of the thinner papers. 

Paper making was also adopted in India. The first paper mill in Europe was in Spain, at Xavia (modern Valencia) in 1120. More mills appeared in Fabriano, Italy in about the 13th Century as an import from Islamic Spain. They used hemp and linen rags as a source of fibre. The oldest known paper document in the West is the Mozarab Missal of Silos from the 11th Century, probably written in the Islamic part of Spain. 

Paper is recorded as being manufactured in both Italy and Germany by 1400, just about the time when the woodcut printing technique was transferred from fabric to paper in the old master and popular prints.

Some historians speculate that paper was a key element in global cultural advancement. According to this theory, Chinese culture was less developed than the West in ancient times prior to the Han Dynasty because bamboo, while abundant, was a clumsier writing material than papyrus; Chinese culture advanced during the Han Dynasty and preceding centuries due to the invention of paper; and Europe advanced during the Renaissance due to the introduction of paper and the printing press.

In the very small quantities needed for popular prints, paper was affordable by the European urban working class and many peasants even in the 1400s, but books remained expensive until the nineteenth century. However, even poor families could often afford a few by the 1700s in England, if they so chose.

Paper remained relatively expensive, at least in book-sized quantities, through the centuries, until the advent of steam-driven paper making machines in the 19th century, which could make paper with fibres from wood pulp. Although older machines predated it, the Fourdrinier paper making machine became the basis for most modern paper making. Together with the invention of the practical fountain pen and the mass produced pencil of the same period, and in conjunction with the advent of the steam driven rotary printing press, wood based paper caused a major transformation of the 19th century economy and society in industrialized countries. With the introduction of cheaper paper, schoolbooks, fiction, non-fiction, and newspapers became gradually available to all the members of an industrial society for the first time by 1900.



MAGNETIC COMPASS

Lodestone is a naturally magnetized piece of the mineral magnetite. They are naturally occurring magnets. Ancient people first discovered the property of magnetism in lodestone. Pieces of lodestone, suspended so they could turn, were the first magnetic compasses, and their importance to early navigation is indicated by the name lodestone, which in Middle English means 'course stone' or 'leading stone'.                              

John B. Carlson researched the earliest compasses of lodestone, in Central America. The purposefully shaped polished bar with a groove and composition of the magnetic mineral with magnetic moment vector in the floating plane), the Olmec, a sophisticated people who possessed advanced knowledge and skill in working iron ore minerals, used what would be called a zeroth-order compass, if not a first-order compass. The pieces of the device today could undeniably used as a geomagnetically directed pointer and the original whole bar pointing magnetic north-south. The groove functions well as a sighting mark, and the slight angle it makes with the axis of the bar appears to be the result of calibration. Whether such a pointer would have been used to point to something astronomical (zeroth-order compass) or to geomagnetic north-south (first-order compass) is entirely open to speculation. The observation of the family of Olmec site alignments calibrated  8° west of north is a curiosity in its own right, and the possibility that these alignments have an astronomical or geomagnetic origin should be explored.  Other scientist have discovered similar remnants of ancient American devices utilizing the directional property of the stone.

It is constructive to compare the first millennium Chinese, who used the lodestone compass for geomancy, with the Gulf Coast Olmec since both were agrarian-terrestrial societies. The Olmec's apparent concern with orientation and skillful use of magnetic minerals also stimulates one to draw cross-cultural parallels. The evidence and analysis offered in this article provide a basis for hypotheses of parallel cultural developments in China and the Olmec New World. If the Olmec did discover the geomagnetic orienting properties of lodestone, as did the Han Chinese, it is most reasonable to speculate that they would have used their compass for comparable geomantic purposes. It should, however, be recognized that the Olmec claim predates the Chinese discovery of the geomagnetic lodestone compass by more than a millennium.

The first incontestable reference to a magnetized needle in Chinese literature appears as late as 1086 according to Li Shu-hua in "Origine de la Boussole.  The Dream Pool Essay by scholar Shen Kua (which exists in translation by problematic sinologist Robert Needham) is reported to contain a detailed description of how geomancers magnetized a needle by rubbing its tip with lodestone, hung the magnetic needle with one single strain of silk with a bit of wax attached to the center of the needle, and that a needle prepared this way sometimes pointed south, sometimes north.

According to researcher Barbara Kreutz there is only a single Chinese reference to a dry-mounted needle (built into a pivoted wooden tortoise) which is dated to between 1150 and 1250, and claims that there is no clear indication that Chinese mariners ever used anything but the floating needle in a bowl until the 16th-century.

There is a debate over the parallel development or diffusion of the magnetic compass. At present, according to Kreutz, the evidence we have is that the Chinese invention predates the first European device as Chinese had previously been aware of its orienting property prior to documented navigational use. 

The first known European mention of a magnetized needle and its use among sailors occurs in Alexander Neckam's De naturis rerum (On the Natures of Things), written in Paris 1190.

An unproven assumption is that the Arabs served as an intermediary, improving and introducing the navigational compass between China, Europe and parts of South Asia and East Africa. In the Arab world, the earliest known reference however comes in The Book of the Merchants' Treasure, written by one Baylak al-Kibjaki in Cairo about 1282. Since the author describes having witnessed the use of a compass on a ship trip some forty years earlier, some scholars are inclined to antedate its first appearance accordingly. There is also a slightly earlier non-Mediterranean Muslim reference to an iron fish-like compass in a Persian talebook from 1232.  Much of this information was only widely disseminated recently when published by Western researchers leaving the possibility of earlier mention in Arab texts that would give credence to an exchange of information rather than several parallel and near simultaneous invention of a similar device.

The Arabs who benefited by their invention of the astrolabe, knowledge of other directional reckoning devices and other more precise navigational techniques did not place a tremendous amount of value on the lodestone compass in seafaring, seeing it as one of many useful devices for orienting. The early Arabic sources on the magnetic compass are very detailed about designs and uses giving credence to longer development of the principles and the device however. One of the chief uses that was found was the application in a device that with a timepiece could assist with the orientation of daily prayers.


PRINTING PRESS

The history of ancient woodcuts and block printing goes back at least four thousand years ago in Middle East and Near East. Woodcuts were used in ancient Egypt, Sumeria and Babylonia. Later among the Greeks and Romans and still later the Chinese used wood blocks for stamping patterns on textiles and for text reproduction and illustration. By AD 1000 examples of woodblock printing on paper were popular in Islamic Egypt. 

Woodcuts appeared throughout Europe at the beginning of the 15th cent., when they were used to make religious pictures for distribution to pilgrims, on playing cards and simple prints, and for the block book which preceded printing. At that time the artist and the artisan were one, the same person designing the cut and carving the block. One of the first dated European woodcuts is a St. Christopher of 1423. 

These were not printed using metal movable type nor were they utilizing the type of press necessary in the printing press which had the all important function of allowing rapid arrangement and printing of copies.  The "block-print", that is, characters or pictures were carved into a wooden block, inked, and then transferred to paper in a similar way that block printing had been in use in numerous regions, including Europe. A new block had to be carved for each new impression, and the block was discarded as unusable as soon as a different impression was needed. Since each word, phrase or picture was on a separate block, this method of reproduction was expensive and time-consuming.  Woodcuts were also not sufficiently durable as they would split in the press after repeated use, though they were later combined into the movable type presses for limited illustrations. 

By the middle of the 15th century several print masters were on the verge of perfecting the techniques of printing with movable metal type. The first man to demonstrate the practicability of movable type was Johannes Gutenberg (c.1398-1468), the son of a noble family of Mainz, Germany. A former stonecutter and goldsmith, Gutenberg devised an alloy of lead, tin and antinomy that would melt at low temperature, cast well in the die, and be durable in the press. It was then possible to use and reuse the separate pieces of type, as long as the metal in which they were cast did not wear down, simply by arranging them in the desired order. The mirror image of each letter (rather than entire words or phrases), was carved in relief on a small block. Individual letters, easily movable, were put together to form words; words separated by blank spaces formed lines of type; and lines of type were brought together to make up a page. Since letters could be arranged into any format, an infinite variety of texts could be printed by reusing and resetting the type.

By 1452, with the aid of borrowed money, Gutenberg began his famous Bible project. Two hundred copies of the two-volume Gutenberg Bible were printed, a small number of which were printed on vellum. The expensive and beautiful Bibles were completed and sold at the 1455 Frankfurt Book Fair, and cost the equivalent of three years' pay for the average clerk. Roughly fifty of all Gutenberg Bibles survive today.

In spite of Gutenberg's efforts to keep his technique a secret, the printing press spread rapidly. Before 1500 some 2500 European cities had acquired presses. German masters held an early leadership, but the Italians soon challenged their preeminence. The Venetian printer Aldus Manutius published works, notably editions of the classics.

The immediate effect of the printing press was to multiply the output and cut the costs of books. It thus made information available to a much larger segment of the population who were, of course, eager for information of any variety. Libraries could now store greater quantities of information at much lower cost. Printing also facilitated the dissemination and preservation of knowledge in standardized form -- this was most important in the advance of science, technology and scholarship. The printing press certainly initiated an "information revolution" on par with the Internet today. Printing could and did spread new ideas quickly and with greater impact.


Pre-Gutenberg Printing


Blockprinting in Blind on Clay and Gold

MS 5106
ROYAL INSCRIPTION OF NARAM-SÎN: NARAM-SÎN WHO BUILT THE TEMPLE OF ISHTAR
MS in Sumerian on clay, Akkad, Sumer, 2291-2254 BC, 1 brick printing block, 13x13x10 cm, 3 lines in a large formal cuneiform script, large loop handle.
Context: There are three more brick stamps of Naram-Sîn with the same text known: one in the Oriental Institute of University of Chicago, one in Kalamazoo pbublic library, Michiga, and a tiny fragment in British Museum. (Frayne 1993: 120-21)
Commentary: Naram-Sîn was the first king to use blocks for printing bricks. Prior to him the inscriptions on the bricks were written by hand. These 3 brick stamps with the known bricks, is the earliest evidence of printing, in this case blindprinting on soft clay.
MS 5106Published: Andrew George, ed.: Cuneiform Royal Inscriptions and Related Texts in the Schøyen Collection, Cornell University Studies in Assyriology and Sumerology, vol. 17, Manuscripts in the Schøyen Collection, Cuneiform texts VI. CDL Press, Bethesda, MD, 2011, text 24, p. 50, pl. XX.

MS 1937
TO NINGIRSU, MIGHTY WARRIOR OF ENLIL, GUDEA RULER OF LAGASH MADE IT SPLENDID FOR HIM AND BUILT FOR HIM THE TEMPLE OF THE SHINING IMDUGUD BIRD AND RESTORED IT
Blockprint in blind in Sumerian on clay, Lagash, Sumer, 2141-2122 BC, 1 brick, 32x32x7 cm, 6+4 columns, in cuneiform script.
Context: Foundation inscriptions of Gudea in The Schøyen collection are MSS 1877, 1895, 1936, 1937 and 2890. Building cones, see MSS 1791/1-2.
Commentary: Gudea built or rather rebuilt, at least 15 temples in the city-state of Lagash. The present brick has deposits of the bitumen that originally bound the bricks together in the wall of the temple.
MS 1937Published: Andrew George, ed.: Cuneiform Royal Inscriptions and Related Texts in the Schøyen Collection, Cornell University Studies in Assyriology and Sumerology, vol. 17, Manuscripts in the Schøyen Collection, Cuneiform texts VI. CDL Press, Bethesda, MD, 2011, texts 29-30, p. 52, pl. XXV.


MS 2764
AMAR-SIN OF NIPPUR, CHOSEN BY ENLIL, MIGHTY HERO, THE TEMPLE OF ENLIL, BRICK STAMP INSCRIPTION
MS in Neo Sumerian on white marble, Sumer, 2046-2038 BC, 1 brick printing block, 18,5x10,0x3,5 cm, single column, 7 lines in cuneiform script, with a handle on the back.
Context: There are only 2 more brick printing blocks of Naram-Sîn known, one intact with a cylindrical handle in Istanbul, and a tiny fragment in British Museum.
MS 2764Commentary: Naram-Sîn was the first king to use blocks for printing bricks. Prior to him the inscriptions on the bricks were written by hand. These 3 brick stamps with the known bricks, is the earliest evidence of printing, in this case blindprinting on soft clay.
Published: Andrew George, ed.: Cuneiform Royal Inscriptions and Related Texts in the Schøyen Collection, Cornell University Studies in Assyriology and Sumerology, vol. 17, Manuscripts in the Schøyen Collection, Cuneiform texts VI. CDL Press, Bethesda, MD, 2011, text 16, p. 20, pl. XII.


MS 1878
AMAR-SIN IN NIPPUR, CALLED BY ENLIL WHO SUPPORTS THE TEMPLE OF ENLIL, POWERFUL MALE, KING OF UR, KING OF THE 4 QUARTERS OF THE WORLD
MS 1878Blockprint in blind in Neo Sumerian on clay, Nippur, Sumer, reign of King Amar-Sin, 2047-2038 BC, 1 brick, 17x19x6 cm, originally ca. 33x33x6 cm, 9 columns, (10x11 cm) in cuneiform script.
Context: An original brick printing block of Amar-Sin is MS 2764.
Commentary: Enlil was the chief Sumerian god, whose main temple was in Nippur.
See also MS 1876/1, Hammurabi brick, Babylonia, 1792-1750 BC
Published: Andrew George, ed.: Cuneiform Royal Inscriptions and Related Texts in the Schøyen Collection, Cornell University Studies in Assyriology and Sumerology, vol. 17, Manuscripts in the Schøyen Collection, Cuneiform texts VI. CDL Press, Bethesda, MD, 2011, text 34, pp. 55-56, pl. XXVI.
Commentary: Enlil was the chief Sumerian god, whose main temple was in Nippur.
See also MS 1876/1, Hammurabi brick, Babylonia, 1792-1750 BC
Published: Andrew George, ed.: Cuneiform Royal Inscriptions and Related Texts in the Schøyen Collection, Cornell University Studies in Assyriology and Sumerology, vol. 17, Manuscripts in the Schøyen Collection, Cuneiform texts VI. CDL Press, Bethesda, MD, 2011, text 34, pp. 55-56, pl. XXVI. ommentary: Enlil was the chief Sumerian god, whose main temple was in Nippur.
See also MS 1876/1, Hammurabi brick, Babylonia, 1792-1750 BC



MS 1815/1
TOWER OF BABEL BRICK
NEBUCHADNEZZAR, KING OF BABYLON, GUARDIAN OF THE TEMPLES ESAGILA AND EZIDA, FIRSTBORN SON OF NABOPOLASSAR, KING OF BABYLON

Blockprint in blind in Neo Babylonian on clay, Babylon, 604-562 BC, 1 brick, 33x33x9 cm, single column, (11x15 cm), 7 lines in cuneiform script blindprinted into the wet clay, within a lined rectangle, prior to baking.
MS 1815/1Context: Bricks with this inscription were found during the excavation of the great Ziggurat. It stands just north of Esagila, the temple of Marduk, also mentioned in the inscription.

Commentary: The ziggurat in Babylon was originally built around the time of Hammurabi 1792-1750 BC. The restoration and enlargement began under Nabopolassar, and was finished after 43 years of work under Nebuchadnezzar II, 604-562 BC. It has been calculated that at least 17 million bricks had to be made and fired. Babylon with the ziggurat was captured by Kyros 538 BC, Dareios I 519 BC, Xerxes ca. 483 BC, and entirely destroyed by Alexander I the Great 331 BC. It is this tall stepped temple tower which is referred to in Genesis 11:1-9, and became known as "The Tower of Babel". The bricks are specifically mentioned in Genesis 11:3: "Come, let us make bricks and bake them in the fire. - For stone they used bricks and for mortar they used bitumen". The black bitumen is still visible on the back of the present baked brick. These bricks are considered so important and interesting that British Museum had their copy on exhibit with special handout descriptions, from where parts of the present information is taken. For a stele illustrating The Tower of Babel, see MS 2063. Nebuchadnezzar II was the founder of the New Babylonian empire. He captured Jerusalem in 596 and 586 BC, burnt down the temple and all of Jerusalem, carried its treasures off to Babylon, and took the Jews into captivity (2 kings 24-25). Nebuchadnezzar II is the king who is named more than 90 times in the Old Testament. Daniel 1-4 is almost entirely devoted to the description of his greatness and reign, his rise and fall, and submission to God.
Exhibited: 1. The Bibliophile Society of Norway's 75th anniversary. Bibliofilklubben 75 år. Jubileumsutstilling Bok og Samler, Universitetsbliblioteket 27.2 - 26.4.1997; 2. XVI Congress of the International Organization for the study of the Old Testament. Faculty of Law Library, University of Oslo, 29 July - 7 August 1998.
Published: Andrew George, ed.: Cuneiform Royal Inscriptions and Related Texts in the Schøyen Collection, Cornell University Studies in Assyriology and Sumerology, vol. 17, Manuscripts in the Schøyen Collection, Cuneiform texts VI. CDL Press, Bethesda, MD, 2011, text 79, p. 181, pls. LXVIII, LXX.
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MS 5236
MS 5236INVOCATION TO THE GOD PHOEBUS APOLLO WHO RULES OVER MAN, POURING OUT LIBATIONS TO HIM, THAT HE MAY TAKE UP ARMS AND GO THROUGH THE ENEMY'S ARMY TO FREE OR DISCHARGE THE PEOPLE; IN HEXAMETER

Printing in Greek on gold, Euboia, Greece, or Knidos, Turkey, ca. 6th c. BC, 1 lamella with rounded corners, 2,8x9,0x0,1 cm, 6 lines in fine Greek capitals of Euboia or Knidos type.
Provenance: 1. Provenance: 1. Edith Horsley, London (1965-2000).
Commentary: This is the only gold example of amulets known generically as ephesia grammata, for lead ones, see Kotansky 111-112. References to them in Greek comedies and other literary texts, suggest that they were mass produced and frequently worn. This is the only surviving example that actually has been printed and not incised, directly into the soft metal. The thin sheet of gold was placed over the prototype with raised letters, and pressure applied to the upper side of the gold in order to print the letters in blind. Normally printing refers to use of paper or vellum and ink, or without ink (blind printing), applying blocks or movable types of wood, stone or metals. If the definition of blind printing also includes soft materials like wet clay, lead or gold, in addition to paper, this lamella appears to be the earliest printing in Europe. The above information is partly kindly supplied by Dr. Dominic Montserrat.

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